Sara Morawetz: How the Stars Stand

How the Stars Stand | Installation View | Project Website | Livestream | In Symbiartic | Interview with Hodinkee | On Upworthy | On Extraordinary Routines | Press Release

July 15 – August 22, 2015
Closing Reception: August 22, 6-9pm
The closing reception will feature a talk by Dr. Michael Allison at 6pm

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“Where is the clock to show us how the stars stand?”
– RAY BRADBURY

Our experience of time is not constant, rather, it flexes and yields to the specific nature of our passage through space. Bound to Earth, this concept seems imperceptible, for we know no time but our own. Yet as we chart our passage around the sun, revolving on our own familial axis, time operates differently elsewhere. Compelled by operations outside our experience, each planetary body moves in its own discrete cycles, heeding standards that are as foreign as they appear desultory. From Earth, such notions hold no weight unless we ourselves become tied to them – fastened by our own physical connection to this extraneous action.

In an effort to illuminate these invisible constraints and become conscious of the standards that govern them, Sara Morawetz intends to abandon Earth time and to instead live by time as experienced on Mars. A Martian day is 24h 39m 35.24s, approximately 2.7% longer than a standard day on Earth. Morawetz will live according to Mars time for a full (although approximated) cycle – that would see her ‘day’ gradually separate from Earth-bound standards, invert, and then slowly return to synchronicity, an action that should take approximately 37 days to complete. This performative action is being conducted in consultation with Dr. Michael Allison of the NASA Goddard Institute for Space Studies.

This work is part of an ongoing exploration of the processes that underpin scientific action. Morawetz is interested in the manner in which the constituent elements of the ’Scientific Method’ – namely observation, experimentation, method (as action) and standardization – are recounted within artistic practice and how these concepts can be further leveraged by artistic inquiry. Through her work, she aims to unravel the mechanics of scientific thinking by asking: what is method / observation / standardization? and, furthermore, how do these terms function outside scientific parameters in the fluid and mercurial sphere of artistic application?. Derived from the core principles of science, her work examines experimental investigation as a way of thinking and a mode of working, utilizing the philosophy of science as a means of critically interpreting systems, actions and processes. It is in this breakdown of artistic and scientific thinking that she aims to evaluate the volatile space in between, to examine the reciprocity within conceptual systems and to validate a communal passage that seeks to filter art through a scientific idiom.

Morawetz’s work is both research and process-driven, often employing durational, repetitious and participatory components – elements akin to a scientific experiment. These performative actions, that either become or create the work, are devised to test and expose the internal processes of methodological labour – the exhaustive, the obsessive, the poetic and the absurd – aspects that are all inherent to scientific practices.

Sara Morawetz is a Ph.D. Candidate at Sydney College of the Arts, University of Sydney and an Australian Postgraduate Award recipient. She has been previously awarded the Martin Bequest Traveling scholarship and was a visiting scholar at Parsons School of Fine Art, The New School, NY in 2014. Her work has been exhibited in galleries within Australia, the United Kingdom and the United States.



on view now

Liinu Grönlund: It could have been

It could have been | Press release | Artist talk February 25-April 8, 2017 Opening reception: February 25, 7-9pm Artist talk: February 27, 7-9pm “But at the risk of sounding anti-human–some of my best friends are human!–I will say that it is not, in the end, what’s most worth attending to. Right now, in the […]

upcoming

2017 Exhibitions
Francesco Simeti: Swell
Sana Obaid
Andrew Snyder
Omar López-Chahoud
Kimberly Mayhorn

past

The Middle Passage
Soup Kitchen 2016
2016 Exhibitions
Another Space: Permanent Construction
i Collective: Once Upon Unfolding Times
Dimensions Variable: Multidisciplinary
South Slope Derby 2016
Boa Mistura: Spread Love, It’s The Brooklyn Way
SiTE:LAB: Nothing Is Destroyed
guerilla-art.mx: Transgression
Rawiya: In Her Absence I Created Her Image
HAI: Sole Exchange
Videokaffe: Para-sites & Proto-types
Prosjektrom Normanns: Transcendental Tactility
/rive: Anamorphosis
Soup Kitchen 2015
Mira Gaberova: Statue of Everything
Savas Boyraz: Back Drop
Cristian Bors & Marius Ritiu: Venus von Hamburg
Soap Box Derby 2015
Sara Morawetz: How the Stars Stand
Whitney Lynn: Rummage
Yun-Woo Choi: Endless, Seamless
Jasmine Murrell: Some Impossibility Without A Name
Tirtzah Bassel: I Want To Hold You Close
B. David Walsh: Extracted Bedroom Project
Lena Lapschina: Yes/No
Soup Kitchen 2014
Sofia Szamosi: Eat Me
Corina Reynolds: Northwestern Expansion
Emanuele Cacciatore: A Conversation with Consequence
Box Car Workshops and Derby 2014
Mark Stilwell: The Super Defense Force vs The Tittanno Beast (The Power of the Constructonauts)
Hubert Dobler: Roundabout
Arne Schreiber: Your Stripes
Katerina Marcelja: Fragment Series
Fuse-Works: Some Assembly Required
Anja Matthes: Out-Sight-In In-Sight-Out
Soup Kitchen 2013
Katarina Poliacikova: Until We Remember The Same