Boa Mistura: Spread Love, It’s The Brooklyn Way

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June-August 2016
Mural unveiling: June 23, 6-8pm at Open Source Gallery


Spread Love, It’s The Brooklyn Way is a community-based project by Spanish art collective Boa Mistura.

Support this project by donating here!

Throughout June, Boa Mistura created three murals in South Slope, Brooklyn with the help of community members. These murals, inspired by The Notorious B.I.G., an artist born and raised in Brooklyn, are being created with the help of volunteers. The project will not end with the murals, but will also include an exhibit at Open Source Gallery in August.

Murals created during this project are located on 3rd Ave. under the Prospect Expressway (between 17th St. and Prospect Ave.), Associated Market (17th St. and the corner of 5th Ave.) and Open Source Gallery (17th St. and the corner of 6th Ave.)

Boa Mistura is a multidisciplinary team with roots in graffiti art–the term “Boa Mistura” comes from the Portuguese “good mixture,” referring to the diversity of careers and perspectives of each member. Founded in Madrid, Spain in 2001, the group develops their work mainly in the public space. Their murals adorn walls in South Africa, USA, UK, Brazil, Mexico, Georgia, Algeria, Norway, Serbia and Panama. Boa Mistura has received awards from GRAFFICA and ARTAQ. They have worked with the Spanish Cultural Center, Cervantes Institute, Greenpeace, World Wildlife Foundation, Amnistia Internacional, Telefonica Foundation, and the Orange Foundation as well as with city halls in Paris, Madrid and Bogota. Boa Mistura has exhibited at the Bienal de la Haban (Cuba), Triennale Milano (Italy), Harvard University Graduate School of Design (USA), Centro de Arte Contemporáneo de Alcobendas (Spain), Bienal del Sur en Panamá (Panama), and Galeria Verdeau (France). Members include Javier Serrano Guerra (architecture, Escuela Tecnica Superior de Arquitectura, Madrid), Juan Jaume Fernández (photography and video, University of the Arts, Berlin), Pablo Ferriero Mederos (graphic design, Aalto University of Art and Design, Helsinki), Pablo Purón Carrillo (advertising and public relations, Universidad Rey Juan Carlos), Rubén Martín de Lucas (civil engineering, Technical University of Madrid).

2016 Exhibitions

Since 2008, Open Source has been dedicated to exploring the social change that can be enacted through communities formed around art. In 2016, we aim to further our mission by exhibiting artist collectives and artist-run spaces to engage the neighborhood in discussions about culture, collaboration, and social issues.

Inspired by texts such as Elias Canneti’s Crowds and Power and the Guerrilla Girls’ Guide to Behaving Badly (Which You Have to do Most of the Time in the World as We Know It), we realize that art is not only important within communities, but community is also critical to art-making. Together, groups of people can accomplish amazing things and generate much needed change. Over the past few years, we have seen how groups like #BlackLivesMatter and Occupy Wall Street can bring individuals together to raise awareness and push for change. Though it is not always easy, these actions are powerful and push society forward, calling out injustices and keeping the authorities accountable to the people. This year, we will exhibit collectives from across the globe to start a conversation in Brooklyn about how art can not only generate communities, but how it can also be a catalyst for social and political change.

This year will host exhibits from: /rive (Brooklyn, NY), Prosjektrom Normanns (Norway), Videokaffe (International), Healing Arts Initiative (Queens, NY), Rawiya (International), (Mexico), SiTE:LAB (Grand Rapids, MI), Boa Mistura (Spain), Dimensions Variable (Miami, FL), iCollective (International), Another Space (Denmark)

Boa Mistura

August 2016

Boa Mistura, Luz nas vielas (Light in the Alleyways), 2012, Sao Paulo, Brazil

Boa Mistura, Luz nas vielas (Light in the Alleyways), 2012, Sao Paulo, Brazil

Boa Mistura is a multidisciplinary team with roots in graffiti art born in late 2001, Madrid, Spain. They develop their work mainly in the public space. They have carried out projects in South Africa, USA, UK, Brazil, Mexico, Georgia, Algeria, Norway, Serbia and Panamá.

South Slope Derby 2016

In the New York Times | On Brooklyn Independent Television | 2015 Derby | 2014 Derby | 2013 Derby | 2012 Derby

August 2016

Soap Box Derby 2015, Photo by Miho Suzuki

Soap Box Derby 2015, Photo by Miho Suzuki

Join us for the 9th Annual South Slope Derby!

Experience the thrill of witnessing our participants from the summer Soap Box Workshop race their fun, funky, eco-friendly contraptions down 17th Street in Brooklyn.

Since 2008, our South Slope Derby has been a staple of the neighborhood. Each year, the Soap Box Workshop encouraging children to think outside the box. Children plan their inventions using sketches and calculations, bringing them to life with found and recycled objects as well as building materials. Over the course of the workshop, participants turn piles of seemingly useless trash into functional machines while learning about construction and design and, more importantly, having fun. Leading up to the derby, kids test drive their racers, ensuring the safety and functionality of each invention. At the South Slope Derby, participants get to race their soap boxes for real as friends, families, and neighbors cheer them on as they race down the street.

Dimensions Variable

September 1-24
Opening Reception: Thursday, September 1, 7-9pm

Elizabeth Withstandley, You Can Not Be Replaced, 2015, At Dimensions Variable, Miami

Elizabeth Withstandley, You Can Not Be Replaced, 2015, At Dimensions Variable, Miami

Dimensions Variable is an exhibition space committed to the presentation and support of contemporary art. Through a collaborative exchange with artists and institutions, Dimensions Variable develops an exhibition program that is engaging and compelling. Dimensions Variable was founded in 2009 by artists Frances Trombly and Leyden Rodriguez-Casanova who currently collaborate and co-direct the project space.

i Collective

October 2016

i Collective, bicyclope, 2013, Örebro, SWEDEN

i Collective, bicyclope, 2013, Örebro, SWEDEN

i Collective is an organic collaborative platform of artists, curators and scientists working in the intersection of arts, urban interventions and socially engaged projects. As a horizontal network, they explore the interaction of individual experiences and collective ideas, recombining the notions of private and public. Using different approaches, like the artistic-situational, they develop strategies that activate citizens in order to re-imagine the cityscape. Following this goal, i Collective proposes platforms that foster the configuration of symbolic places, as well as the creation of temporary communities that meet for a collective creative purpose. i Collective started in 2009. With different backgrounds and practices, they met in Berlin. Informal chats became passionate discussions, in which they shared our interest in combining our artistic work with the context they were living in, in a collective way. So they put their energies together and realised projects in different contexts and countries, like the parallel events of Manifesta 8 Biennial (2010, Spain) and Manifesta 9 (2012, Belgium), 48-Hours Neukölln Festival (2009, Germany), OpenArt Örebro (2013, Sweden), Buenos Aires Museums Night (2012, Argentina), Schmiede (2011, Austria), School of Intermedia Art, Hangzhou (2013, China), a.o. After all this work, i Collective continues exploring the concepts of public realm and communities, exploring new models of participation, self-management, creative uses of new technologies and cross-disciplinary methodology.

Another Space: Permanent Construction

November 2-27, 2016
Opening reception: November 2, 7-9pm

Another Space, Self-Storage,  2015

Another Space, Self-Storage, 2015

Curator Victoria Bugge Øye and co-founders of project space Another Space, architect Nicola Louise Markhus and curator Marte Danielsen Jølbo, will curate Permanent Construction at Open Source Gallery.

After encountering a community of people on the Mediterranean coast who were living in half-finished and scaffolded structures to avoid the local real-estate tax, the French artist Pierre Huyghe became so inspired that he developed his own idea for an “unfinished” housing project, Chantier Permanent (Permanent Construction), an unrealized project developed with architect Francois Roche in 1993. It was not only the aesthetics of the half-done houses that had appealed to Huyghe, but the form of sociality they prompted: “there is not a fixed moment of completion, you live in a work in progress, life unfolds in a transitory state, permanently under construction.” (Barikin, Parallel Presents: The Art of Pierre Huyghe, 2015).

The notion of an open-ended and processual architecture has been linked to ideas of self-fulfillment and creativity since at least the 1960s. In architectural investigations of form as unfinished, however, the imagined liberatory potentials are usually emphasized more than the constant and incessant labor that these unfixed structures would most likely require. Architecture that is “permanently under construction” is not only a work that open for intervention; it is also a work that is never done.

While process-centered aesthetics have often been posed as a more “ethical” and social approach to form in the face of commercial and formalist art, its positive encoding of human labor is not exclusive to aesthetical practices, but has resonated in the social and political spheres as well. Work itself has become ubiquitous and never ending, but it has also been re-framed as the privileged mechanism for self-realization (Dardot and Laval, On Neoliberal Society, 2014). The peculiarly American phenomenon of self-help books continues to top bestseller lists with their message of “continuous assessment” and work on the self (Deleuze, Postscript on Control Societies, 1995). From every turn, we are encouraged to embrace a “creative” and entrepreneurial identity, constantly improving to keep up with an increasingly volatile and competitive marketplace (McRobbie, Be Creative: Making a Living in the New Culture Industries, 2016).

In a world where nothing seems to be exempt from improvement and further development, the exhibition Permanent Construction is an investigation into the complicity of architectural, aesthetic, economical, social, and political modes of being under “permanent construction.” We believe that these tensions converge and are felt most astutely at the site of the self. Artists are invited to show works that problematize and actualize today’s focus on the work on the self and its relationship to aesthetical labor. The exhibition will be a departure point rather than a place of resolution, providing a framework for artists to produce a range of situations where the notion of “permanent construction” will function as a reference for both content and a form.

Another Space is a project space for art and architecture based in Copenhagen and Oslo, established and run by curator Marte Danielsen Jølbo and architect Nicola Louise Markhus. They are organised as a nomadic curatorial partnership working through independent projects, collaborations and an online exhibition space. They wish to instigate immersions and critical approaches to the cross-disciplinary field and its potentials through presenting current and enduring issues within art, architecture and society. Another Space’s curatorial approach is further based on concerns for spatiality, materiality and craftsmanship.

on view now

SiTE:LAB: Nothing Is Destroyed

SiTE:LAB: Nothing Is Destroyed | Press Release | On Livestream | Website | In The Creators Project | In The Observer July 9-30, 2016 Opening Reception: July 9, 7-9pm SiTE:LAB presents Nothing is Destroyed, a site-specific project for Open Source Gallery. Nothing is Destroyed is part of a larger conversation that began in Grand Rapids, Michigan. […]


Boa Mistura: Spread Love, It’s The Brooklyn Way
2016 Exhibitions
Boa Mistura
South Slope Derby 2016
Dimensions Variable
i Collective
Another Space: Permanent Construction

past Transgression
Rawiya: In Her Absence I Created Her Image
HAI: Sole Exchange
Videokaffe: Para-sites & Proto-types
Prosjektrom Normanns: Transcendental Tactility
/rive: Anamorphosis
Soup Kitchen 2015
Mira Gaberova: Statue of Everything
Savas Boyraz: Back Drop
Cristian Bors & Marius Ritiu: Venus von Hamburg
Soap Box Derby 2015
Sara Morawetz: How the Stars Stand
Whitney Lynn: Rummage
Yun-Woo Choi: Endless, Seamless
Jasmine Murrell: Some Impossibility Without A Name
Tirtzah Bassel: I Want To Hold You Close
B. David Walsh: Extracted Bedroom Project
Lena Lapschina: Yes/No
Soup Kitchen 2014
Sofia Szamosi: Eat Me
Corina Reynolds: Northwestern Expansion
Emanuele Cacciatore: A Conversation with Consequence
Box Car Workshops and Derby 2014
Mark Stilwell: The Super Defense Force vs The Tittanno Beast (The Power of the Constructonauts)
Hubert Dobler: Roundabout
Arne Schreiber: Your Stripes
Katerina Marcelja: Fragment Series
Fuse-Works: Some Assembly Required
Anja Matthes: Out-Sight-In In-Sight-Out
Soup Kitchen 2013
Katarina Poliacikova: Until We Remember The Same
Miho Suzuki: Our Children Today
We Know Not Exactly Where or How
Soap Box Derby 2013
Keith Miller: Trees
Andrea Ray: Utopians Dance
Margrethe Aanestad: Herein
David D’Ostilio: The Chopping Block
Stefanie Koseff: To The Deep
Michael Poetschko: Zona