September 13 – October 4, 2014
Opening Reception: September 13, 7-9pm
“Ruddy Trees and Buried Hatchets,” 2014, Oil on canvas, 76” x 76”
Emanuele Cacciatore presents “A Conversation with Consequence,” an exhibition of paintings for Open Source Gallery.
Without relying solely on conventional aesthetics or contemporary ideology, Cacciatore addresses how we perceive and define gestural painting. The gestural passages in his artwork, although realized through accidental, intentional, and mechanical manipulation of the material, ultimately reflect a genuine and thorough investigation of painterly content. Cacciatore uses brushes and stencils in conjunction with an array of industrial tools and various painting techniques, creating both a concrete and ephemeral reorganization of form and space.
“A Conversation with Consequence” showcases a series of oil and acrylic paintings that represent a dialogue with man-made disasters. From the food and water we consume to the raw materials we use and the inspiration we draw from our surroundings, our success and survival as a species rely heavily on our relationship with the earth. Unfortunately, our technological advancements often come at the expense of our planet. Whether caused by greed, negligence, or human error, the results of man-made disasters can be devastating, often claiming numerous lives and irreparably damaging the environment. Using maps and imagery of disaster sites from around the world, Cacciatore recontextualizes these destructive events, creating a new perspective and reclaiming them as abstract works of art.
Emanuele Cacciatore earned his BFA from the State University of New York at Buffalo and his MFA in painting from the University of California. He has shown in numerous group and solo exhibits in New York, New Jersey, Florida, and California, including the Pamela Auchincloss Gallery, Art Now: Art Basel in Miami, The Montclair Art Museum, the Albright-Knox Art Gallery, and Cooper Union in New York City. Cacciatore’s work has also been reviewed by publications such as ARTnews and the Santa Barbara Independent.
October 11 – November 1, 2014
Opening Reception: October 11, 7-9pm
Corina Reynolds presents “Northwestern Expansion,” an installation for Open Source Gallery.
When explorers in the 1400′s patiently waited through harsh winters with their ships sometimes frozen in place during their search for the Northwest Passage, they were making progress while waiting. The occupants of a waiting room are not explorers, per say, but they are making progress towards a goal while in a state of pause—every second they get closer to their destination.
“Northwestern Expansion” is an immersive installation examining the act of waiting in pursuit of one’s goals. Reynolds recreates a waiting room and executive office from the Northwestern section of the Jacob K. Javits Federal Building in Manhattan, which is home to the Social Security Administration, New York City Immigration, and many other government offices. In her installation, Open Source’s main gallery becomes a container that holds a “core sample” of the Javits building’s 31st floor. Reynolds uses the search for the Northwest Passage, a northern trade route from the Atlantic to the Pacific Ocean, as well as traditional waiting rooms as a metaphor for the waiting we do daily. These acts of waiting in office buildings, like the icy search for the Northwest Passage, are motivated by money, prestige, and exchange. Through carefully controlled light, surface, space, and typical waiting room furnishings such as vinyl flooring, industrial carpeting, service counters, and office chairs, Reynolds puts the viewer in intermission, evoking the experience of waiting and allowing individuals to examine their own ambitions.
Corina Reynolds is an artist who works with installation, video, and performance. Her immersive works invite the viewer to experience the hierarchies present every day in society. She earned her BFA from San Diego State University her MFA from the Cranbrook Academy of Art and in 2012 co-founded Small Editions, an artist book studio and press in Brooklyn. In 2011, Reynolds was an artist-in-residence at the Wassaic Project in New York. From 2011-2013, she taught courses in bookbinding and artist book publication at the Interlochen Center for the Arts. Reynolds has exhibited across the U.S. in New York, Michigan, Iowa, and California.
Press | Images 2112 | Images 2013 | Video Photo by Miho Suzuki Derby: September 6th on 17th Street, between 5th and 6th Avenues. (every car built out of found material can be part of the race!) All drivers have to arrive at 11am at 306 17th Street. The race starts at 11:30am Kids ages […]
Mark Stilwell: The Super Defense Force vs The Tittanno Beast (The Power of the Constructonauts)
Hubert Dobler: Roundabout
Arne Schreiber: Your Stripes
Katerina Marcelja: Fragment Series
Fuse-Works: Some Assembly Required
Anja Matthes: Out-Sight-In In-Sight-Out
Soup Kitchen 2013
Katarina Poliacikova: Until We Remember The Same
Miho Suzuki: Our Children Today
We Know Not Exactly Where or How
Soap Box Derby 2013
Keith Miller: Trees
Andrea Ray: Utopians Dance
Margrethe Aanestad: Herein
David D’Ostilio: The Chopping Block
Stefanie Koseff: To The Deep
Michael Poetschko: Zona
Soup Kitchen 2012
Kathleen Vance: From the Woods
Nick Kline: Gilgo Beach
Soap Box Camp and Derby 2012
Patrick Cadenhead: Spring and Renewal
Felipe Mujica: One day this will NOT be yours
Between Mountain – part 2
Karl Spörk, Another Meeting
Leigh Davis: The Burrow (H.H.)
Evan Robarts and James Moore: the cave
Sara Bouchard: The News: Monday-Friday, Parts 1 & 2
Open Source 2011
Open Source Soup Kitchen
Jason Reppert: Parlor Tricks
Felipe Mujica: One Day This Will All Be Yours
Green Idea Pool
James Leonard – 927 Days at Sea
Soap Box Derby 2011
The Mobile-kitchen-table-cart on tour